Sergio

joined 4 months ago
[–] Sergio@slrpnk.net 1 points 6 hours ago

two things going against it

More fundamentally, (1) the writer/director had no experience directing a big-budget film, and (2) the studio, which had just produced LOTR, wanted another LOTR-sized franchise and kept interfering -- and in order to finance the movie they had sold the overseas rights, so when the movie made most its money overseas they didn't benefit from it.

 

based on the 1995 novel Northern Lights by Philip Pullman, the first installment in Pullman's His Dark Materials trilogy, which was published as The Golden Compass in the United States. It stars Dakota Blue Richards as Lyra Belacqua, Nicole Kidman as Marisa Coulter, and Daniel Craig as Lord Asriel, alongside Sam Elliott, Ian McKellen, and Eva Green. In the film, Lyra joins a race of water-workers and seafarers on a trip to the far North in search of children kidnapped by the Gobblers, a group supported by the world's rulers, the Magisterium

...The film received mixed reviews from critics, with praise for the casting and visual effects, but criticism for its pacing, characterization, and screenplay...

https://en.wikipedia.org/wiki/The_Golden_Compass_(film)

[–] Sergio@slrpnk.net 2 points 13 hours ago (1 children)

Yeah agreed it's an interesting problem bc it has so many components... unfortunately when we try to get one part of it implemented, people say: it's not going to solve the whole problem so why bother. I'm still learning about it and so are most people. But I think even the most truck-loving person has an older relative who can't drive any more, or maybe they themselves can't drive bc of a DUI or something, so there's always an opening for learning more.

[–] Sergio@slrpnk.net 1 points 14 hours ago (3 children)

we weren’t so car centric, things would be more compact and I wouldn’t have this nasty commute.

Hi, a different commenter here. I love public transportation (time to sit and read! meet interesting people!) and dislike cars, but realistically we often have other considerations that city design alone wouldn't solve.

  • My most recent commute was 65 miles through a rural area -- I had to live in town A to support a family member and my job was in town B.
  • Before that I was in an urban area, but had to live near the hospital area for my BFF's sake, and my job was out in the suburbs 18 miles away. No bike lanes, and public transportation took 2-3 hours one way. (and this was in a city with relatively good public transportation.)

Now I WFH so that's cool. But the experience made me realize how complex is the problem of transportation and urban design. I mean, I agree with the fact that bikes are awesome and we need better public transportation in the US, though.

[–] Sergio@slrpnk.net 4 points 15 hours ago

There's a great extended excerpt from MLK's "Letter from a Birmingham Jail" below that too.

[–] Sergio@slrpnk.net 2 points 15 hours ago (1 children)

They will have to freeze it to transport it to us. THAT's what all those scientists oughta be doing instead of whatever lab stuff they do, they oughta be freezing chili and delivering it to us! Let's all be Freeze Chili Patriots!

[–] Sergio@slrpnk.net 8 points 15 hours ago (6 children)

So if I'm right about this....

[–] Sergio@slrpnk.net 2 points 15 hours ago

Fascinating question. I have a couple (uninformed) guesses:

  • maybe "prophet" is a mis-transcription of "profit" and it refers to a "profit squeeze" meaning costs increase but results diminish. this is a way of handling the "game unbalance" problem: the technology is there but the cost is so high it doesn't unbalance things. So "profit-squeeze monster" means you just take that to the extreme.
  • instead, maybe the last two words go together to make "squeeze monster". You know like those rubber stress toys that you squeeze and part of the monster is an eye or something that bulges out. I seem to remember those being around in the 90s when this article is about. So "prophet / squeeze-monster" refers to two ways of limiting the game unbalance problem: the technology is either used as a "prophet" to just estimate your enemy or something, or its a "squeeze monster" where... uh... I dunno... you disfigure but don't kill the enemy?
  • instead, maybe "squeeze monster" is like you pull a trigger but can't control it.... you're a "squeeze monster"?

If I were editing that article/review, I'd change the word "trope" to something like "technique" or "approach", bc "trope" sounds like it should be widespread. I'd guess it's probably a technique that game designers used and talked about to one another and had this term as a shorthand probably bc of some anecdote or cartoon or funny t-shirt that someone had once.

[–] Sergio@slrpnk.net 7 points 17 hours ago

Jesus is helping one side kill more people.

No my child, Jesus is helping BOTH sides kill more people. Without Jesus, they would just threaten one another and maybe perform semi-ritualistic battles involving maneuvers, challenges shouted in verse, and single combat with blunt instruments. Occasionally someone would die falling off their horse. But thanks to Jesus, the deaths are measured in millions and we all continue dying until one side gives up. Amen.

[–] Sergio@slrpnk.net 7 points 17 hours ago (1 children)

But there are three figures at the bottom. The other two are Trekkies and Furries maybe?

 

Anyone who thinks Van Helsing was bad clearly hasn't seen GOTHIC VAMPIRES FROM HELL... just from the title you can tell that they were going for a B movie feel, and managed to hit several levels below that

  • fake-looking fangs, fake-looking blood effects
  • randomly inserted computer-generated animations
  • bad acting, bad writing
  • club scenes of people dancing with cheap video distortion effects overlayed
  • occasional BDSM scenes interweaved ... to create a mood I guess?
  • It all looks like it was filmed in a goth club somewhere with their friends as actors.

Surprisingly, it has a solid soundtrack made up of second-generation gothic industrial / deathrock music. I think Cleopatra Records had something to do with this movie. Anyway, this is a great movie to play in the background if you like dark vampiric stuff happening in the periphery and you're into "dark" music.

I caught it on Tubi (uBlock Origin adblocker on Firefox seems to work here):

 

Frogs (1972) is the movie for this Sunday's "monsterdon" watch party over on Mastodon, our fediverse sibling!

  • Just start watching that movie this Sunday, Feb 23, 2025 at 9pm ET / 8pm CT / 6pm PT, which is 2am Monday UTC
  • and follow #monsterdon over on mastodon for live commentary. For example, you can follow that hashtag here: https://mastodon.social/tags/monsterdon
  • I usually open two web browser windows on a computer side-by-side. But you could follow the mastodon commentary on a phone app while watching the movie on TV or something...

How to watch the movie:

Frogs ... falls into the "eco-horror" category, telling the story of a wildlife photographer who meets an upper-class U.S. Southern family who are victimized by several different animal species, including snakes, birds, leeches, lizards, and butterflies.

...

A reviewer from HorrorNews.net found it odd for a horror film to be titled Frogs when all the killings in the film are done by animals other than frogs and discussed the acting: "Sam Elliott is good as always. He manages to feel like the outsider while also feeling like part of the group. It makes his role work in ways that it might not work in someone else's control. Ray Milland is also fairly good as the patriarch of the Crockett family. He personifies that bullheaded 'you listen to me because I'm always right' attitude in such a believable manner that you think he is that guy. The rest of the cast isn't as great as these two, but their lack of good performance only helps to make their deaths more fun to watch. They overact or underact in the perfect ways to make the movie priceless."[7]

https://en.wikipedia.org/wiki/Frogs_(film)

 

Burn Cycle (stylized as Burn:Cycle) is a 1994 point-and-click adventure video game for the CD-i that incorporates full motion video and is set in a surrealist cyberpunk world. The game follows Sol Cutter, a computer hacker and data thief, whose latest theft causes a virus named Burn Cycle to be implanted in his head. The game features a two-hour countdown timer to defuse the virus, with the player jumping back and forth between a fictional ingame virtual reality world known as the Televerse in order to destroy the Burn Cycle virus and solve the mystery of its creation.

https://en.wikipedia.org/wiki/Burn_Cycle

Here's a walkthrough of it: https://www.youtube.com/watch?v=zoLw7SEmLYk

 

The Bouncer (Original title: Lukas) is a 2018 French-Belgian action thriller film directed by Julien Leclercq, starring Jean-Claude Van Damme... Set in Belgium, the plot follows nightclub bouncer Lukas (Van Damme) who agrees to help Interpol hunt down crime boss Jan Dekkers (Louwyck) in order to regain custody of his 8-year-old daughter Sarah (Verset) from social services.

The original version of the film, which was released in Europe under the title Lukas, is mostly in French with some Flemish, and English with everything subtitled, while The Bouncer, released a year later in the United States, had some scenes cut and is dubbed into English.[3][4] The film received generally positive reviews from critics.

https://en.wikipedia.org/wiki/The_Bouncer_(film)

 

Meng Li was betrayed by his brother. After being injured, he ran into obstacles and his life was unsustainable. Li decided to get back on his feet for the sake of his family and returned to the corner with the help of Shopkeeper Zhou.

https://www.imdb.com/title/tt32262824/

 

The Factory is a 2012 American crime thriller film directed by Morgan O'Neill and starring John Cusack... In the film, Cusack plays a Buffalo, New York cop who has been chasing a serial kidnapper who abducts young women.

...

The Factory was scheduled to be released on December 19, 2011, but it was never theatrically released by Dark Castle Entertainment via Warner Bros. The company then considered a DVD release for the third quarter of 2012, but the film was finally released on February 19, 2013.[2] ...

Rohit Rao of DVD Talk rated it 2.5/5 stars and called it "a cookie cutter thriller" with a "supremely dumb, bone-headed twist".[5] Patrick Bromley of DVD Verdict wrote, "The movie only gets sillier and stupider as it goes along, leading to a climax that's utterly ridiculous and abandons any goodwill the movie might have built up to that point."[6] Scott Weinberg of Fearnet wrote, "The Factory is composed of seven or eight other films you've already seen before. And not composed especially well."[7]

https://en.wikipedia.org/wiki/The_Factory_(2012_film)

 

Bryant befriends a troubled teen and introduces him to martial arts. As Bryant's mysterious and dangerous past catches up to him, he is forced into a life and death struggle to clear his name, save the boy and get back all he left behind.

https://en.wikipedia.org/wiki/As_Good_as_Dead_(2022_film)

"My brother inspired me to write this," said White. "He had a great love for the Latino community. He drove his motorcycle from Florida into Mexico, and then fell in love with Playa del Carmen, a beautiful area there, and he then started a family. So when I moved to Los Angeles and got very connected with Mexico and the Latino community, I just always had a love for the family values that they've had, and the fact that they're just the hardest working people I've ever seen. So it was in my soul to kind of tell this movie, and I wanted to bring this martial arts action genre, like in a very Karate Kid type of way, but with a Latino child, and with this is kind of fusing of genres together. I wanted to tell this story about people, and how sometimes our heroes are wrapped in different packaging."

https://movieweb.com/michael-jai-white-good-as-dead-interview/

 

In 1889 Vienna, Austria-Hungary, a magician named Eisenheim is arrested by Chief Inspector Walter Uhl of the Vienna Police during a magic show involving necromancy. Later, Uhl explains the story of Eisenheim's life to Crown Prince Leopold.

...

Jonathan Rosenbaum's review in The Chicago Reader praised Paul Giamatti's performance of "a character who feels sympathy for the magician but owes allegiance to Leopold and is therefore divided and compromised ... Giamatti's performance is subtle, expressive, and richly nuanced."[13] Stephen Holden, in his review for The New York Times, praised Edward Norton's role, which, according to him, "perfectly fits his disturbing inscrutability".[14] Variety wrote that Jessica Biel "is entirely stunning enough to fight to the death over".[15] Roger Ebert rated 3.5/4 and wrote that, "The movie sets up a fascinating parable about art, religion and politics, and the misty boundaries between them".[16]

https://en.wikipedia.org/wiki/The_Illusionist_(2006_film)

The link from above: https://www.youtube.com/watch?v=D2krcvO3z1A

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