PolydoreSmith

joined 2 years ago
[–] PolydoreSmith@lemmy.world 17 points 21 hours ago (1 children)

“Let’s just say, for argument’s sake, that I may do things for money that are bad enough that other people want to kill me… how much money would I need to pay someone to not feel that way?”

[–] PolydoreSmith@lemmy.world 10 points 2 weeks ago (2 children)

It still pisses me off how they did Franken. They cancelled him for absolutely no reason and you know the Dems were so excited to get an actual progressive out of the party.

[–] PolydoreSmith@lemmy.world -3 points 3 weeks ago* (last edited 3 weeks ago) (1 children)

Why do I feel like you wake up every day like a kid on Christmas morning hoping for the ceasefire to fall apart? You seriously just trivialized genocide, you… special person you.

[–] PolydoreSmith@lemmy.world 15 points 4 weeks ago* (last edited 4 weeks ago) (1 children)

That reminds me of a funny interview moment where some music journalist in the 2000’s asked Thom York, “So how to you respond to newer bands like Muse who are capitalizing on your sound?” And Thom goes, “Good luck with Kid A.”

[–] PolydoreSmith@lemmy.world 7 points 4 weeks ago (2 children)

Doubt he thinks very highly of you either

[–] PolydoreSmith@lemmy.world 1 points 4 weeks ago (1 children)

This is a pretty typical Western way of completely misinterpreting karma. It’s supposed to describe how negative energy travels through the world, and white people just think it means “bad thing always happen to bad person”.

[–] PolydoreSmith@lemmy.world 6 points 1 month ago* (last edited 1 month ago)

Daddy’s Dogs. He’s in Printer’s Alley standing a little ways down from their location there. You can actually see the sign behind the red and white sign for Fleet Street.

[–] PolydoreSmith@lemmy.world 4 points 1 month ago (1 children)

It was covered in an episode of Radiolab and they interviewed the guy who experienced all of this. I’m not invested enough to find a source but it’s definitely not an urban legend.

 
 

This is my 2008 PRS Hollowbody II singlecut and my 2006 PRS McCarty hollowbody doublecut. Both were purchased second-hand within the past six years.

The singlecut was originally offered through the PRS Artist Package and I’ve only ever found one other guitar like it on the internet. Last year I finally pulled all the piezo electronics and had it completely rewired as a regular passive guitar. Aside from that, it’s all stock.

The doublecut was a prototype produced before the hollowbody was officially offered as part of the McCarty line, or so I was told.

Both of these guitars are remarkably similar. Playability is absolutely off the charts, and I enjoyed the singlecut so much that it was pretty much-love-at-first-sight when I found the doublecut a few years later. They are the lightest damn guitars I have ever played; both weigh in at about 5lbs. The weight makes all the difference in the world during long-ass bar gigs and weddings. Tonally, they’re way more percussive than a Les Paul, but incredibly versatile nonetheless. The way the top is braced to the back allows you to crank the gain on your amp/PA without having to worry about the feedback issues typically associated with hollowbody electrics.

Hands-down, these are two of my most prized possessions. I never post pics of my instruments to normal social media because I worry about theft, so I decided to do this little write-up to help grow this new (to me) community.

 

Picked this one up a couple weeks ago. I’ve been playing for close to 20 years, and this is the first Les Paul I’ve ever really fallen in love with. The big 50’s neck profile is extremely comfortable, and holy crap do I love these Mini Humbuckers! Even though everyone quotes Spinal Tap when I say it, the sustain is exceptional; it gives the tone a very “vocal” quality.

 
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