I think stealing is highly underrated in the writing community. Everyone loves a good thief but the bad thieves get all the attention, spoiling the reputation of all. I honestly think that being a good thief makes for a better writer and encourage everyone to steal prodigiously but tactfully.
Bad thieves belong in literary jail. Aside from the obvious consequence of potentially getting sued for copyright infringement, the far worse crime of bad thievery is against art itself. Bad thieves steal without even understanding the value of what it is they stole, so their attempt to fence it for their own profit is fraud and often makes the reader feel defrauded. No one likes a cheap counterfeit of something they actually value. Worse still, the inferior knockoff could become more popular than the original, diluting and perverting it into a commodity to be kicked around rather than an honest expression of humanity that it was originally. Stealing incompetently is harmful to the writer, the reader, and to literature. A good thief, on the other hand, gets away clean and is even lauded for their efforts.
There are two ways to get away with stealing ideas for your story:
- The reader couldn’t know you stole the idea unless you told them.
- The reader suspects or knows that you stole the idea and are pleased that you did.
The key to getting away with ideas you don’t want people to know you stole is to launder them. A dirty idea sticks out like a sore thumb in a different story. It’s jarring to read about a character or event which was written for another story and airdropped into yours. A whole dirty story just sucks because it can only ever be an inferior counterfeit of the original.
To launder stolen ideas, you have to make it look like you came up with it yourself and it was something you would have come up with. If you want to steal an idea for your story in the first place, it probably actually is something you would have come up with but didn’t. You have to strip away everything that attaches that idea to its original source and replace it with your own context.
Let’s say I wanted to steal Jack Sparrow for my story. That’s a pretty high stakes gambit, being one of the most recognizable characters in pop fiction and also owned by one of the most litigious companies in the world. I could drop a thinly veiled Jack Sparrow in my story and get my shit wrecked legally and critically, or I could keep what I need from the idea and get rid of the hard evidence. I want a character like Jack Sparrow in my story to serve a similar purpose that he served in the movies. I don’t need his name, his appearance, his gender, his profession, his style of dress, his dialect, any of his actions, or other dead weight. What I need of this character for my story is a swaggering liar who appears fully incompetent but is oddly successful. The reason I want a character like this in my story is because I believe he would make a good foil for my characters and could take my story in interesting directions because of the kinds of decisions I think he would make.
For the sake of this example, I’m taking him for my high fantasy setting. My Jaithe Arrow is an elven woman working as a mercenary captain who behaves a lot like Jack Sparrow. I don’t know what the movie writers were thinking about why Jack did what he did, but I do know why my Jaithe behaves the way she does. My interpretation of that character, as all audience interpretations of that character, is unique to my experience and personality and I can build on what appealed to me about the character. My story is not The Pirates of the Caribbean, so my Jaithe Arrow is going to be involved in and reacting to an entirely different set of circumstances. Ultimately, the character may remind the reader of Jack Sparrow, but the character is clearly not Jack Sparrow just inserted into a story he wasn’t made for.
This could bleed over into the second category. I’ve often heard “Firefly” referred to as “The Han Solo Show” with total fondness. There is probably a lot of Han Solo in the character of Malcolm Reynolds, and fans of one character are likely fans of the other. When fans make this connection, it’s because they liked that someone made a show about a character like Han Solo even if it wasn’t produced by Lucasfilm. Anything that may have been stolen is totally clean. Firefly is not like Star Wars and although the two characters are similar in many ways they each fit uniquely into their own respective stories.
The thing that I like most about the second way to get away with stealing is that most ideas you can steal are actually free. Anything that actually happened we have record of is free from earliest history to current events. Anything you experienced or heard about happening is free. Science is free. Philosophy is free. Esoterica is free. Any creative works in the public domain are free. With some possible stipulations, much open source content is free for you to use. The thing about taking all these free ideas is that readers often like learning about real things. I don’t think a single person was upset that much of what occurred in the Song of Ice and Fire series was stolen from actual history. I do know many people who really appreciate that he stole those events from the pages of history books, in fact. Even if you cobble your whole story together with these kinds of stolen ideas, it will probably read as more deep than cheap.
There is nothing ethically wrong about adapting ideas of other people to your own work. In fact, it’s basically impossible to create anything completely original. Even if you did, it would be at best an interesting novelty rather than something readers would find relatable. The originality of a given writer is how their mind processes their experience and presents it to readers. The same idea presented by two different people in completely different ways can appeal to vastly different audiences. Oftentimes, an idea will never reach an audience unless a writer uses their creativity to bridge the gap from a different audience to the next, and that’s almost always a good thing.
Many writers would not consider what I advocated for here to be stealing. I wrote this for anyone who might have. Writers appropriate ideas like this constantly whether consciously or not because we are human creatures in communication with one another. If you come across any idea that you would like in your writing, you can actually have it. Take it and make it yours. By the time you’re done adjusting it for your own purposes it’ll be as original as anything else. Get stealing!
I don't think most reasonable people need to be compelled to support their community, and as I mentioned above scrutiny is necessary. However, I think plutocrats are unreasonable because they were never made to grow beyond the stage most of us do when we learn not everything belongs to us. They should be compelled to first be treated for their maladaptive development and then to join us in society when they understand why they should.
There's a balance. We are individuals and also members of the human race making us social by nature. I think all individual freedoms should be protected to the extent that they don't cause harm to others. I don't consider offending personal sensibilities to be a harm, either. It makes sense to reasonable people to be part of a community and I personally believe tolerance is a community sustaining value. In a healthy society, there shouldn't be a need for compulsion. There are steps to be taken from an unhealthy society to make it healthy and those steps should be carefully considered, but are necessary to prevent degradation. Doing something and doing nothing are both risks.
Violence from whom? So much of liberal capitalism is completely constructed and depends entirely on participation of members who have faith in that system. A massive general strike could bring the entire system down very quickly, and I would bet that in this case every liberal government in the world would immediately act to compel the labor which isn't being offered by any means necessary. Trump sure as hell would. If we stopped doing this and started doing something else, it could be done peacefully but the established order would not peacefully allow that to happen.
Anarchists like to say, "Anarchism doesn't mean no rules, it means no rulers." If a village is living in freedom, would they respect the freedom of one villager to start burning down houses, even without a leader to tell them whether it's allowed? Of course not. People generally aren't that stupid. A community can manage resources and a network of communities could theoretically manage resources on a larger scale. I can't tell you exactly what the final answer would be, but it doesn't sound impossible to me for people to govern themselves democratically in the absence of kings or executives.
I'm still trying to figure out why anyone would consider China a communist country if they're arguing in good faith. Their government is an interesting experiment with many socialist oriented accomplishments such as minimum standards of living, full employment, and relative stability contrasting our boom bust cycles. That being said having a non-democratic government run by the upper class, especially when the government of exclusively upper class people determine who becomes upper class, is far from my ideal. Having a government as powerful as theirs does appear to keep Capitalism in check better than we can, though. I've heard serious arguments that it's a decent transitional government to a communist government, but honestly it looks like the establishment over there like it how it is and would rather grow their power and wealth than transition to communism. Rather than an authoritarian government keeping capitalism in check, I would rather a democratic government with universal ownership and investment by the whole people. No despots publicly or privately is what I personally prefer.
This was much longer than I expected. I'll reply to your next post some time soon.