non-fiction 1951 description of "Total Mockery"

“In an ever-changing, incomprehensible world the masses had reached the point where they would, at the same time, believe everything and nothing, think that everything was possible and that nothing was true. ... Mass propaganda discovered that its audience was ready at all times to believe the worst, no matter how absurd, and did not particularly object to being deceived because it held every statement to be a lie anyhow. The totalitarian mass leaders based their propaganda on the correct psychological assumption that, under such conditions, one could make people believe the most fantastic statements one day, and trust that if the next day they were given irrefutable proof of their falsehood, they would take refuge in cynicism; instead of deserting the leaders who had lied to them, they would protest that they had known all along that the statement was a lie and would admire the leaders for their superior tactical cleverness.” ― Hannah Arendt, The Origins of Totalitarianism, published year 1951

A "total mockery" refers to something being made a laughingstock, treated with complete ridicule and contempt, or being a complete and unacceptable imitation or travesty. It signifies a situation where a person or thing is presented in a deeply insulting and absurd way, often to the point of being a farce

"Владислав Юрьевич Сурков, Surkovian values"

"a Russian politician and businessman. He was First Deputy Chief of the Russian Presidential Administration from 1999 to 2011, during which time he was often viewed as the main ideologist of the Kremlin" - https://en.wikipedia.org/wiki/Vladislav_Surkov

Surkovian ideology of "Total Mockery" / endless mocking population

Year 2014: “In the twenty-first century the techniques of the political technologists have become centralized and systematized, coordinated out of the office of the presidential administration, where Surkov would sit behind a desk on which were phones bearing the names of all the “independent” party leaders, calling and directing them at any moment, day or night. The brilliance of this new type of authoritarianism is that instead of simply oppressing opposition, as had been the case with twentieth-century strains, it climbs inside all ideologies and movements, exploiting and rendering them absurd. One moment Surkov would fund civic forums and human rights NGOs, the next he would quietly support nationalist movements that accuse the NGOs of being tools of the West. With a flourish he sponsored lavish arts festivals for the most provocative modern artists in Moscow, then supported Orthodox fundamentalists, dressed all in black and carrying crosses, who in turn attacked the modern art exhibitions. The Kremlin’s idea is to own all forms of political discourse, to not let any independent movements develop outside of its walls. Its Moscow can feel like an oligarchy in the morning and a democracy in the afternoon, a monarchy for dinner and a totalitarian state by bedtime.” ― Peter Pomerantsev, Nothing Is True and Everything Is Possible: The Surreal Heart of the New Russia, year 2014

1. Surreal Total Mockery
2. Absurd Total Mockery
3. Hyper-real Absurd Surreal Bizarre Total Mockery
4. Simulacra favoring Absurd mental exploits, Total Mocking at all times.